Codex Seraphinianus by Luigi Serafini Codex Seraphinianus is a book written and illustrated by the Italian artist Luigi Serafini (b. 1949) between 1976 and 1978. … Read more
At the age of 79, Bruno Ferrin from Nervesa della Battaglia, Treviso, is not your average septuagenarian. He is the visionary creator of a unique amusement park that sprawls across 30,000 square meters of land.Featuring an impressive array of 45 mechanical rides and attractions, Ferrin’s park offers everything from swings and merry-go-rounds to slides, roller coasters, and trampolines. What sets this park apart is its sustainability; remarkably, all the rides operate without the use of electricity.
Ferrin’s journey into amusement park creation began back in 1969 when he decided to diversify his income streams by opening an inn called Ai Pioppi. After a few years in the hospitality industry, he was inspired to construct his first swing set for the enjoyment of his customers. This initial project sparked a newfound passion in Ferrin, leading him to dream bigger and embark on more ambitious endeavors. Over the years, he continued to design and build an ever-expanding collection of rides, transforming his property into a mechanical wonderland.
To document this incredible feat, Fabrica produced an insightful documentary that looks into Ferrin’s work, capturing the essence of his ingenuity and the sheer joy his creations bring to visitors of all ages.
Giovanni Leonardo: The Italian Chess Master Who Beat Kings Giovanni Leonardo, known as Il Puttino (Small Child), was born in Cutro, Calabria. Giovanni Leonardo di … Read more
Beyond the Music: Morricone and Leone’s Iconic Duo The collaboration between Ennio Morricone and Sergio Leone remains one of the most significant creative partnerships in … Read more
Six Million Years of Salt and a Church Built by Miners: Realmonte’s Underground Cathedral The Salt Cathedral of Realmonte is an underground Catholic church built … Read more
Being the capital of one of the most famous wine regions in the world, Florence is not just a great starting point for the many wine tours the Tuscany countryside has to offer, but has a great wine culture of its own.
“The Vesuvius is in front of me. Now it is blazing and smoking. What an extraordinary sight! imagine an enormous firework that does not stop … Read more
In a 2014 report, the Italian government disclosed that more than €3 billion had been invested in an astonishing 693 structures across Italy, all of … Read more
Camera della Rabbia is a facility in the hills of Forlì full of objects to destroy.
The slogan of Camera della Rabbia, Forli’, is “The only place where you can destroy everything and no-one can blame you“.
The rage room is the first place in Italy where you can release your negative energy. Customers armed with sledgehammers and wearing adequate armor, for a fee (starting from 15 euros for 10 minutes) are free to destroy furniture, bottles in complete safety.
The place is intended to release the stress of a workday. Sometimes some come in two or more to challenge each other to who smashes more stuff. For some people is a new anti-stress formula.
Satyricon Guide: Petronius, Fellini, and Roman Decadence The surviving fragments of the Satyricon track the misfortunes of Encolpius, a penniless narrator, and his young companion … Read more
Raffaella Carrá’s ‘Rumore’: A Timeless Hit Resonating Across the Globe
An electrifying rendition of “Rumore” was brilliantly delivered by the incomparable Raffaella Carrá in 1974, showcasing her prowess as a dynamic and captivating performer.
Raffaella Carrá, born Raffaella Maria Roberta Pelloni in 1943, is an Italian icon revered for her talent, charisma, and long-lasting impact on the entertainment industry. Her immense popularity spans across Italy, Spain, Russia, Turkey, and numerous Latin American countries, where she has captured the hearts and admiration of countless fans.
Carrá’s multifaceted career encompasses a wide range of talents, including singing, dancing, acting, and television hosting. As a singer, she has released numerous hits that have left an indelible mark on the music scene, while her dancing skills have solidified her reputation as a mesmerizing performer. Raffaella Carrá’s acting career is equally impressive, boasting roles in both Italian and international films that have earned her critical acclaim.
As a television anchorwoman, Carrá has hosted a number of successful shows, including her most famous program, “Carràmba! Che sorpresa!” which has delighted audiences with its mix of humor, celebrity interviews, and live performances. Raffaella Carrá’s enduring legacy is a testament to her versatility and passion, making her a true legend in the world of entertainment.
The song, written by Andrea Lo Vecchio with music by Guido Maria Ferilli and arrangements by Shel Shapiro, is one of the artist’s greatest successes, selling over ten million copies worldwide in its English, Spanish, and French versions. It was also one of the first examples of Italian-style Disco music. The 25-year-old Guido Maria Ferilli from Lecce declared that he invented the piece by chance, strumming the guitar: “Every time I strummed this song, all the kids playing in the courtyard seemed to like the music and danced… Not so much with my other songs.”
Ferilli brought the piece to Andrea Lo Vecchio, who in 1971 had already written the lyrics, with Roberto Vecchioni, for Donna Felicità for Nuovi Angeli and Luci a San Siro for Vecchioni himself; in 1973, he also wrote the hit E poi… for Mina, with music by Shel Shapiro, former leader of The Rokes.
Lo Vecchio struggled to write the lyrics for Ferilli’s piece: “It was difficult with that short meter: I was looking for something that would fit.” Thus, Rumore was born by chance, the story of a woman who left her partner/husband because “I decided to do it on my own,” but one evening, alone at home, hearing a noise, she would like to “go back in time,” realizing that “alone, I never feel safe.” A seemingly counter-trend text, in years of strong feminism. In reality, it fit perfectly for all those women in the middle of the ford: eager to emancipate themselves, but not entirely at ease outside the roles traditionally assigned to them. A bit like the female counterpart of the men described by Mogol in his lyrics from the same years.
The interpreter was missing: Ferilli and Lo Vecchio thought of Donatella Moretti, who recorded a promo that reached Alfredo Cerruti’s desk at CBS. Convinced that the piece was perfect for Raffaella Carrà, he called Gianni Boncompagni, at the time Carrà’s partner, who sensed the potential of the song and went with her to the recording studios in Via Salomone in Milan, home to CGD, distributed by CBS and Raffaella’s record label, to record the disc.
Ellade Bandini was called in for drums, Andrea Sacchi and Shel Shapiro for guitars, with Shapiro also taking care of the arrangement, as well as backup singers and wind instruments. Ferilli, who also sang among the backup singers, recalls: “We worked in the studio for several days, even with Gianni Boncompagni present. The tiredness was great, and that melody was an obsession to the point that Raffaella said: “And now it won’t let me sleep! I still hear that na na na in my ears…”. Raffaella had little difficulty except for the high note, which after some practice, she managed to hit well.”
By the end of September, the song was in stores. Carrà introduced it in the second episode of the new edition of the TV show Canzonissima 1974, which she hosted. Between 1974 and 1975, it became the third best-selling single in Italy. The success was already huge by December, recalls Ferilli, “we recorded the Spanish, English, and French versions. Raffaella proved to have assimilated it very well, having greater ease.
Lyrics
Rumore, rumore non mi sento sicura, sicura, sicura mai io stasera vorrei tornare indietro con il tempo.
e ritornare al tempo che c’eri tu però perciò che non pensarci più sù ma ritornare, ritornare perché quando ho deciso che facevo da me.
cuore, batti il cuore na,na,na,na mi è sembrato di sentire un rumore, rumore serà la paura io da sola non mi sento sicura, sicura sicura mai, mai,mai, mai e ti giuro che stasera vorrei tornare indietro con il tempo
e ritornare al tempo che c’eri tu però perciò che non pensarci più sù ma ritornare, ritornare perché quando ho deciso che facevo da me.
cuore, batti il cuore na,na,na,na rumore, rumore. rumore, rumore
The Beasts of Satan: The Chilling Story of Murder and Mayhem in Italy In a small town near Varese, Golasecca, the discovery of a disfigured … Read more
Visit Villa Garzoni: Italy’s Most Iconic Baroque Garden (2025) The Villa Garzoni, situated in the village of Collodi near Lucca, represents one of the most … Read more
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